Despite the advancements in technology, there are still some parts of life that haven’t entirely been caught up with. The video editing industry is one such area where we see many issues. Many people have asked themselves, what’s the best monitor for video editing? It can be challenging to find an answer because many companies use different standards in their specifications and don’t provide enough data on these products. We’ll try to break down this issue by making sure you’re able to narrow your search based on quality and price so you can get yourself a top-notch product without breaking your budget.

Understanding the important specs of a monitor, whether you’re purchasing one for gaming or video editing, is crucial in selecting the best display for you. Knowing what to look for in these areas will help you make the best decision for your requirements.

As a result, we’ve described all of the important monitor characteristics below so you can make a more educated selection for your next purchase.

Type of Panel

One of the first things you should learn about a monitor is the Type of Panel. Primarily, there is three main Types of Panels:

  • TN Panel is a kind of TN panel that is (Twisted nematic)
  • IPS (Intelligent Panel System) (In-plane switching)
  • A panel of the VA (Vertical Alignment)

As you can probably imagine, each Type of Panels comes equipped with its own pros and cons. These pros make certain Types of Panels ideal for video editing, but not great for gaming. To help understand the differences between the Type of Panels we’ve created the following table:

As you can see, when it comes to video/photo editing, the IPS panel is a clear victor. Working on a creative project needs a crystal clear image with excellent color fidelity. With an IPS panel, you get just that.

It’s probably more critical than you think to have good viewing angles. A high-tier IPS panel will offer at least 178° vertical and horizontal viewing angles. That implies that no matter how you look at the display, a washed-out color/Ratio of Contrast will obscure your vision.

The Accuracy in color in an IPS panel is fantastic. High-end monitors get the highest possible Accuracy in color which helps the user create a more realistic image. They do cost a little more than other Types of Panels, but it’s definitely worth the investment when you consider this (editing) is how you make your money.

Accuracy in color

So, we’ve already touched upon Accuracy in color in the above section. But what exactly is Accuracy in color, and how does one differentiate between the good and bad.

Well, Accuracy in color comes down to a couple of factors, but first, let’s discuss the gamut.

The color gamut is the full range of colors visible to the human eye. You can measure how much of the color gamut your monitor can display by using preset ranges. There are a number of different ranges (or ratings) that can be used to measure your monitor’s Accuracy in color and they are listed below.

Colour gamut

As you can see from the image above, different ratings have either higher or lower color coverage than others. For example, the DCI-P3 clearly has more coverage than sRGB. That means a monitor that can create a large percentage of the DCI-P3 is going to have better Accuracy in color than something that has the same percentage in sRGB.

Many premium-tier monitors will come with a broader color gamut, undoubtedly affecting their price.

Bit Depth of Color

The two most common bit depths in today’s monitors are 8bit and 10bit.

The amount of bits per channel is referred to as the bit depth. For example, each track on an 8bit display will have 256 color steps. This is what makes up the 16.7 million color spectrum that most businesses brag about. A 10bit color depth, on the other hand, allows for 10bits per channel. This amounts to 1024 color steps per channel, or a total color range of 1 billion.

This makes 10bit color depth much more enticing than 8bit color depth — but there is one drawback. If your PC’s hardware can’t handle this amount of color depth, you won’t be able to enjoy the benefits of this premium feature in your display.

It’s critical to have a high-end graphics card that supports 10bit color depth. If it doesn’t, this feature is a complete waste of money.

Additionally, you must be using software that supports a 10bit color depth. For example, working on a JPG or MP4 video automatically saves your work in an 8bit color format. Using tools like RED 10bit and EXR Sequences, on the other hand, will enable you to leverage this capability fully.

Monitor Size & Resolution

For a video editing display, monitor size and resolution are perhaps more essential than you would believe.

The size of your monitor is commonly measured diagonally from one corner to the other in inches. However, to fully comprehend the size of your display, you must also consider the aspect ratio.

If the aspect ratio is different, two monitors of the same size – let’s take 27′′ as an example – might be entirely different sizes. The most preferred sizes for artists are 24-27′′ with a 16:9 aspect ratio, which creates a more cinematic image and better matches our eyes’ field of view.

The screen resolution of a monitor is not the same as its size. Instead, the resolution of a monitor refers to the number of physical pixels it can show. The following are the most widely used native monitor resolutions:

Because it lacks the available pixels, a 1080p monitor is limited in the number of pixels it can show compared to a 4k panel. As a result, the image on a 1080p monitor is much less sharp than on a higher resolution panel.

A higher resolution is usually preferable for image quality and clarity.

Ratio of Contrast

The contrast ratio is something brands have been manipulating for a long time. It’s a technique used across the board and almost tricking you into thinking the monitor’s Ratio of Contrast is good.

Let me explain; there are two ways a monitor is measured regarding the Ratio of Contrast. You have a dynamic Ratio of Contrast and a static Ratio of Contrast. These, however, are two very different beasts.

A dynamic Ratio of contrast refers to the distance between the darkest point and the lightest point across different Brightness settings.

Since a user will rarely change the monitor’s Brightness settings, this is a figure that can be disregarded if truth be told. Instead, what we as a buyer want to know is what the static Ratio of Contrast is.

Look through the monitor’s specs before purchasing and always look for a high Static Ratio of Contrast. For example, we recommend an IPS panel with a minimum of 500:1 static Ratio of Contrast. But we’d advise aiming for 1000:1 for the best possible visual recreation.


Even if you’re new to computers and editing, you should know what brightness is. However, some individuals may be unaware of how your monitor’s brightness is determined.

The brightness of a room is commonly expressed in cd/m2. The brighter the display, the greater the cd/m2. Isn’t it simple?

However, one thing I would say regarding brightness is that it is possible to go too bright at times. If you don’t need an incredibly colorful display and work in a room that doesn’t need one, don’t acquire one. We suggest a monitor with roughly 300cd/m2; however, they become brighter.

Keep track of the refresh rate.

The refresh rate of a monitor relates to how quickly the picture on the screen may be refreshed. Because “motion blur” may occur in high-fps gaming, this is a criterion that gamers should be concerned with.

The refresh rate is measured in Hz, and most current displays have a refresh rate of at least 60Hz. High-end gaming displays will have a refresh rate of 144Hz to 240Hz, but we don’t need to be concerned about this as designers.


We’ve covered some of the most critical components of a monitor. So what can we learn from this if we’re searching for a monitor for video editing?

So, here’s a checklist of things to look for when buying a new editing display:

IPS Panel, Wide color gamut – DCI-P3 98% or above, 8bit or 10bit (depends on your PC’s specifications), 27″ display with 16:9 aspect ratio, a Ratio of Contrast of 1000:1, 350cd/m Brightness, refresh rate should only be considered when gaming.

Any excellent video editing monitor starts with this. However, you may not always be able to locate a monitor with all of these features, and you may not be able to find one within your budget.

Anyway, now that we’ve gotten the technical details out of the way let’s look at what we think are the finest displays for video editing.

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